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Oil Paintings Come From United Kingdom
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Sir Peter Lely
1618-1680 Dutch (Resident In UK) Sir Peter Lely Art Locations Sir Peter Lely (14 September 1618 - 30 November 1680) was a painter of Dutch origin. He was the most popular portrait artist in England from soon after he arrived in the country in the 1640s to his death. He also owned a major collection of art, especially drawings by other artists. Lely was born Pieter van der Faes to Dutch parents in Soest in Westphalia,[1] where his father was an officer serving in the armed forces of the Elector of Brandenburg. Lely studied painting in Haarlem, where he may have been apprenticed to Pieter de Grebber. He become a master of the Guild of Saint Luke in Haarlem in 1637. He is reputed to have adopted the surname "Lely" (also occasionally spelled Lilly) from a heraldic lily on the gable of the house where his father was born in The Hague. He arrived in London in around 1641. His early English paintings, mainly mythological or religious scenes, or portraits set in a pastoral landscape, show influences from Anthony van Dyck and the Dutch baroque. Lely's portraits were well received, and he succeeded Anthony van Dyck as the most fashionable portrait artist in England. He became a freeman of the Painter-Stainers' Company in 1647 and was portrait artist to Charles I, but his talent ensured that his career was uninterrupted by Charles's execution, and he served Oliver Cromwell, whom he painted "warts and all", and Richard Cromwell. In the years around 1650 the poet Sir Richard Lovelace wrote two poems about Lely ?? Peinture and "See what a clouded majesty...." Two ladies from the Lake family, 1650. Held by the Tate Gallery.[1]After the English Restoration in 1660, Lely was appointed as Charles II's Principal Painter in Ordinary in 1661, with a stipend of £200 per year, as Van Dyck had enjoyed in the previous Stuart reign. Lely became a naturalised British subject in 1662. Demand was high, and Lely and his school were prolific. After Lely painted a sitter's head, Lely's pupils would often complete the portrait in one of a series of numbered poses. As a result Lely is the first English painter who has left "an enormous mass of work." Among his most famous paintings are a series of 10 portraits of ladies from the Royal court, known as the "Windsor Beauties", formerly at Windsor Castle but now at Hampton Court Palace; a similar series for Althorp; a series of 12 of the admirals and captains who fought in the Second Anglo-Dutch War, known as the "Flagmen of Lowestoft", now mostly owned by the National Maritime Museum in Greenwich; and his Susannah and the Elders at Burghley House. His most famous non-portrait work is probably Nymphs by a fountain in Dulwich Picture Gallery. Lely played a significant role in introducing the mezzotint to Britain, as he realized its possibilities for publicising his portraits. He encouraged Dutch mezzotinters to come to Britain to copy his work, laying the foundations for the English mezzotint tradition. Lely was knighted in 1680. He died soon afterwards at his easel in Covent Garden, while painting a portrait of the Duchess of Somerset. He was buried at St Paul's Church, Covent Garden. He collected Old Masters during his life, with examples by Veronese, Titian, Claude Lorrain and Rubens, and a fabulous collection of drawings. His collection was broken up and sold after his death, raising the immense sum of £26,000. Some items in it which had been acquired by Lely from the Commonwealth dispersal of Charles I's art collections, such as the Lely Venus, were re-acquired by the royal collection.

 

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Sir Peter Lely Lady Mary Fane oil painting

Painting ID::  94350

X 
 

Sir Peter Lely
Lady Mary Fane
Oil on canvas, 50 by 40 ½ ins., 137 by 103 cms cjr
   
   
     

 

 

Sir Peter Lely James II as Duke of york oil painting

Painting ID::  94351

X 
 

Sir Peter Lely
James II as Duke of york
cjr
   
   
     

 

 

Sir Peter Lely Queen Mary II of England oil painting

Painting ID::  94352

X 
 

Sir Peter Lely
Queen Mary II of England
cjr
   
   
     

 

 

Sir Peter Lely Portrait of Sir Samuel Morland oil painting

Painting ID::  94353

X 
 

Sir Peter Lely
Portrait of Sir Samuel Morland
oil on canvas, 76 x 63 cm cjr
   
   
     

 

 

Sir Peter Lely Catherine of Braganza oil painting

Painting ID::  94354

X 
 

Sir Peter Lely
Catherine of Braganza
1665(1665) cjr
   
   
     

 

 

Sir Peter Lely Henry Stone oil painting

Painting ID::  94355

X 
 

Sir Peter Lely
Henry Stone
circa 1648(1648) cjr
   
   
     

 

 

Sir Peter Lely Barbara Palmer Duchess of Cleveland oil painting

Painting ID::  94356

X 
 

Sir Peter Lely
Barbara Palmer Duchess of Cleveland
circa 1666 cjr
   
   
     

 

 

Sir Peter Lely Portrait of Abraham Cowley oil painting

Painting ID::  94357

X 
 

Sir Peter Lely
Portrait of Abraham Cowley
circa 1666-1667 Medium oil on canvas cjr
   
   
     

 

 

Sir Peter Lely James Harrington oil painting

Painting ID::  94358

X 
 

Sir Peter Lely
James Harrington
Circa 1658 cjr
   
   
     

 

 

Sir Peter Lely Louise de La Valliere and her children oil painting

Painting ID::  94359

X 
 

Sir Peter Lely
Louise de La Valliere and her children
222cm x 212cm cjr
   
   
     

 

 

Sir Peter Lely Lady Elizabeth Percy oil painting

Painting ID::  94360

X 
 

Sir Peter Lely
Lady Elizabeth Percy
17th century cjr
   
   
     

 

 

Sir Peter Lely James Sharp oil painting

Painting ID::  94361

X 
 

Sir Peter Lely
James Sharp
cjr
   
   
     

 

 

Sir Peter Lely George Ayscue. oil painting

Painting ID::  94362

X 
 

Sir Peter Lely
George Ayscue.
1640-1680 cjr
   
   
     

 

 

Sir Peter Lely Portrait of William Penn. oil painting

Painting ID::  94363

X 
 

Sir Peter Lely
Portrait of William Penn.
cjr
   
   
     

 

 

Sir Peter Lely Diana, Countess of Ailesbury oil painting

Painting ID::  94364

X 
 

Sir Peter Lely
Diana, Countess of Ailesbury
cjr
   
   
     

 

 

Sir Peter Lely Portrait of Sophia of Hanover oil painting

Painting ID::  94365

X 
 

Sir Peter Lely
Portrait of Sophia of Hanover
cjr
   
   
     

 

 

Sir Peter Lely Portrait of Nell Gwyn. oil painting

Painting ID::  94366

X 
 

Sir Peter Lely
Portrait of Nell Gwyn.
c 1680 cjr
   
   
     

 

 

Sir Peter Lely Lady Elizabeth Percy, Countess of Ogle oil painting

Painting ID::  94367

X 
 

Sir Peter Lely
Lady Elizabeth Percy, Countess of Ogle
c.1679-80 cjr
   
   
     

 

 

Sir Peter Lely Portrait of Charles II of England. oil painting

Painting ID::  94368

X 
 

Sir Peter Lely
Portrait of Charles II of England.
cjr
   
   
     

 

 

Sir Peter Lely Portrait of Charles II, King of England. oil painting

Painting ID::  94369

X 
 

Sir Peter Lely
Portrait of Charles II, King of England.
circa 1675(1675) Medium oil on canvas cjr
   
   
     

 

       Prev    1  2  3  4     Next

 

Sir Peter Lely
1618-1680 Dutch (Resident In UK) Sir Peter Lely Art Locations Sir Peter Lely (14 September 1618 - 30 November 1680) was a painter of Dutch origin. He was the most popular portrait artist in England from soon after he arrived in the country in the 1640s to his death. He also owned a major collection of art, especially drawings by other artists. Lely was born Pieter van der Faes to Dutch parents in Soest in Westphalia,[1] where his father was an officer serving in the armed forces of the Elector of Brandenburg. Lely studied painting in Haarlem, where he may have been apprenticed to Pieter de Grebber. He become a master of the Guild of Saint Luke in Haarlem in 1637. He is reputed to have adopted the surname "Lely" (also occasionally spelled Lilly) from a heraldic lily on the gable of the house where his father was born in The Hague. He arrived in London in around 1641. His early English paintings, mainly mythological or religious scenes, or portraits set in a pastoral landscape, show influences from Anthony van Dyck and the Dutch baroque. Lely's portraits were well received, and he succeeded Anthony van Dyck as the most fashionable portrait artist in England. He became a freeman of the Painter-Stainers' Company in 1647 and was portrait artist to Charles I, but his talent ensured that his career was uninterrupted by Charles's execution, and he served Oliver Cromwell, whom he painted "warts and all", and Richard Cromwell. In the years around 1650 the poet Sir Richard Lovelace wrote two poems about Lely ?? Peinture and "See what a clouded majesty...." Two ladies from the Lake family, 1650. Held by the Tate Gallery.[1]After the English Restoration in 1660, Lely was appointed as Charles II's Principal Painter in Ordinary in 1661, with a stipend of £200 per year, as Van Dyck had enjoyed in the previous Stuart reign. Lely became a naturalised British subject in 1662. Demand was high, and Lely and his school were prolific. After Lely painted a sitter's head, Lely's pupils would often complete the portrait in one of a series of numbered poses. As a result Lely is the first English painter who has left "an enormous mass of work." Among his most famous paintings are a series of 10 portraits of ladies from the Royal court, known as the "Windsor Beauties", formerly at Windsor Castle but now at Hampton Court Palace; a similar series for Althorp; a series of 12 of the admirals and captains who fought in the Second Anglo-Dutch War, known as the "Flagmen of Lowestoft", now mostly owned by the National Maritime Museum in Greenwich; and his Susannah and the Elders at Burghley House. His most famous non-portrait work is probably Nymphs by a fountain in Dulwich Picture Gallery. Lely played a significant role in introducing the mezzotint to Britain, as he realized its possibilities for publicising his portraits. He encouraged Dutch mezzotinters to come to Britain to copy his work, laying the foundations for the English mezzotint tradition. Lely was knighted in 1680. He died soon afterwards at his easel in Covent Garden, while painting a portrait of the Duchess of Somerset. He was buried at St Paul's Church, Covent Garden. He collected Old Masters during his life, with examples by Veronese, Titian, Claude Lorrain and Rubens, and a fabulous collection of drawings. His collection was broken up and sold after his death, raising the immense sum of £26,000. Some items in it which had been acquired by Lely from the Commonwealth dispersal of Charles I's art collections, such as the Lely Venus, were re-acquired by the royal collection.